Tag Archives: writing

writing

Adventure

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Looking back over the last few posts here, I’ve realised that I seem to spend an awful lot of time writing here about not doing things. Or at least about needing to do nothing because I manage to keep myself busy and occasionally need a rest. But I rarely write about the things that I actually am doing.

So I thought today I would write about something that I’ve actually done. Today I went adventuring with a friend — a kind of research project for both of us. We caught the bus from Newtown to Coogee with no real plans, except to look around and maybe find somewhere we could eat pancakes. We wandered along the beach, in the rain, and took pictures of sand, boats, trees. We found a cafe in which to eat pancakes (yum!), and we wandered around a local green grocer without shopping baskets, trying to resist the temptation to buy any food. We walked up hills into the residential streets, gazing at all the interesting houses and interesting gardens.

We talked a lot, and I got damp toes. And we took pictures. Here are some of mine.

Letting things settle

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I had thought I’d write a whole lot of blog posts while I was in Melbourne. I thought I’d be so excited about what I was doing that I’d want to share it.

And I was excited. But I worked out pretty quickly that I wouldn’t be able to share it for some time, even if I wanted to. More and more lately, I find I need to let things settle before I can approach them again in writing. This is true in my personal life as well as the stuff I write that I call ‘work’ (the line between the two is often very difficult to distinguish).

It’s nearly two weeks since I came back to Sydney, but I still don’t really feel like things have settled. A number of things have shifted, in subtle but important ways. I’ve tried to find an appropriate analogy for what’s going on in my head, but they all sound far too dramatic, when the action that’s caused the shift wasn’t really anything special.

The first yoga class I taught when I got back to Sydney was strange. It was one of my corporate yoga classes. At lunchtime I found myself in a very familiar office building, sitting on my mat in a very familiar empty wing of the fourth floor, chatting to regular students. Then the little travel alarm clock I use to keep time in yoga classes ticked over to midday, and I suddenly realised that I was the one who had to teach the class. For some reason, it came as a surprise. And then when I did start teaching, I found myself making changes to my usual way of sequencing poses, and the words that came out of my mouth focussed on different things: the spine instead of the arms, the feet instead of the legs. I found myself walking around more, watching, really watching my students. Most of my classes are made up of regulars, but that first week back it was as if I was looking at a whole lot of new people — not because of any real change in the way they moved, but because I was looking at them differently.

The strangest part of all of this was that it all happened without me even thinking about it. Usually when I make these changes to the way I teach (or the way I do anything, really), it’s a conscious decision, but this wasn’t conscious at all. It just happened. I don’t know yet whether they’re good changes or bad changes or changes that make no difference at all, and I don’t know whether the fact that they’re unconscious is good or bad or has no meaning at all.

This teaching anecdote the best way I can think to describe what I feel is happening in every part of my thinking and behaviour now. I’m doing things differently, just subtly, in my writing and in my general life stuff too. To be honest, the fact that it’s happening without any conscious thought on my part is driving me a little batty. I have no idea how any of it is going to turn out, or why I’m even doing it in the first place. I just have to have patience. And, let’s be honest, patience isn’t exactly my strong point. (Just to prove that to myself, last weekend when I was in Canberra with my family I had a couple of little tantrums. The first involved surprise tears before breakfast and a fair bit of confusion for my poor Dad, and the second involved ranting at Mum while I stomped around reluctantly packing my bag to go home.)

I’m sincerely hoping that things do settle (at least a little) sooner rather than later. I think they will. I’m working on a number of exciting projects at the moment — some writing, some yoga — and they seemed to have at least calmed the frustration to below tantrum-causing levels. It’s a better mental place to be.

So I might eventually get to sharing some of the half-complete drafts of posts I wrote about the MWF sessions I went to in Melbourne. I hope I do; we saw some pretty great stuff. But I might not either. And, actually, as frustrating as it has been, not really knowing how things will turn out, even with whether or not I press ‘publish’ on a blog post, is also kind of exciting.

To Melbourne…

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Tomorrow morning a very lovely lady writer friend of mine and I are off to Melbourne for the week. We’re heading down to attend various sessions at the Melbourne Writers’ Festival, and because we both love to be in that city.

The picture above is one I took when I went down for a visit last December. I took it because I so often stood in that spot when I lived in Melbourne, watching the trams cross the intersection at the corner of Flinders and Swanston Streets, waiting to meet one friend or another. “Meet you under the clocks at Flinders Street,” we’d say.

I’m fully expecting this trip to be full of nostalgia and whimsy. Our eight days there will be the most time I’ve spent in the city since I left it three and a half years ago.

Tomorrow can’t come soon enough.

A little bit of nepotism…

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My brother Tom is nearly finished a Captain Planet degree — that is, a Bachelor of Interdisciplinary Studies in Sustainability. As part of the degree, he’s pulling together what’s called a Sustainable Marketing Project, with a particular focus on a post- or low-carbon future. Because he’s just as much of a food nut (pun intended) as I am, he’ll be looking specifically at food.

It’s interesting, I think, that the two of us have both come to be writing and thinking about food, and that we’ve come at it from such different educational backgrounds (at least on a tertiary level). A large part of Tom’s degree has been necessarily science-based; I, however, have not studied any science since the hopefully-named ‘Physics is Fun’ semester I did at the end of year ten. My background is in arts and communications.

And I guess that’s why I’m particularly interested in this project. I think it’s safe to say that I’m obsessed with food; eating it, yes, but also thinking about where it comes from and how it gets to be on my plate. These questions are sometimes questions about process, and they’re sometimes questions about ethics. Tom’s project is attempting to cover both: how carbon is embedded in our food, and how to calculate that, but also why knowing that is important or relevant. This project is about information, but it’s also about telling a story.

The marketing element to this project, I think, is what makes it so interesting. Information about this thing we call ‘sustainability’ (what does that word even mean anymore?) is so often tinged with negativity, or completely overwhelming because of its sheer volume. It’s something I certainly struggle with in my non-fiction writing on food. The story-telling element is so important to get right, or you lose your reader (or viewer or listener) after about half a second.

Have a look at Tom’s first few posts on this project here. He’s just getting started, and I’m sure he’d really appreciate some feedback. I can’t wait to see what he comes up with.

Busy

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Lately I’ve been busy. It’s easy to forget that I’m busy sometimes, when I’ve got whole days at home, spent in my house clothes, drinking multiple cups of tea. I forget that I’m working on those days too — planning and writing.

Other days I leave and re-enter the house three, four, sometimes five times a day. I spend lots of time outdoors, and my shoes are well-worn.

I have a whole list of things that have fallen by the wayside, waiting (sometimes not so) patiently for a quiet week.

I’m tired. I don’t sleep well because I dream all night about the things I have to do in the coming days: banking, catching buses, doing laundry. Process dreams, I call them. My hips, my knees and my shoulders buzz, reminding me to stop every now and then. I find myself sighing when my work day is over.

But I like being busy. Especially because I’m doing things I love. My days are filled with yoga and reading and writing. I just need to remember that it’s okay for me to sleep in occasionally.

Exhaustion

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This week things have shifted. I’ve finally let go of some things, and some new opportunities have presented themselves. Work is beginning to pick up more and more, and I start back at uni again next week.

The change of pace, and the shifts in my thinking and doing have found me feeling lighter, and a little bit excited. I’ve found it difficult to sleep this week. As soon as my head hits the pillow, my mind is off, following all sorts of little paths and trails, guessing at how things might unfold now that I’ve thrown off some of the thought-stuff I didn’t need anymore. Each night this week I’ve lain awake for hours, imagining. Just like a child who can’t sleep because something exciting is happening the next day.

I’ve been aware of a lingering tiredness all week, but it hasn’t really bothered me until this afternoon’s yoga practice. I had lots of energy at the beginning, enough even to practice some fairly intense back-bends. Then I lay down in savasana to relax for a few minutes and was surrounded by exhaustion. My legs and arms tingled with it, my head felt suddenly much heavier. It was almost as if I’d just covered myself in a blanket of tiredness. ‘Surprise! You can’t really cope with very little sleep! Had you fooled, didn’t I?’

But this is part of the reason I love working the way I do (all over the place, and at weird hours, in other words): if I’m exhausted on a Friday afternoon, I can usually take it easy. There’s usually some work I can do that involves sitting on the couch with a cup of tea (and maybe a chocolate biscuit from a bout of procrastibaking earlier in the day). And I think I’m getting better at down time. I’m a really active person (hence the active job), and always have been. But I don’t think I’ve ever been particularly good at… well, resting. I guess many of us aren’t.

Next week will be extremely busy. I think an afternoon of reading and writing is justified. So excuse me while I put my feet up, munch on some baked goods, and get some quiet time.

~

This is cross-posted on my yoga blog, om gam yoga.

Sodden feet

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Last night I ventured out just as it started to pour with rain. I quite like rain. And I’m rarely without an umbrella.

My umbrellas are always bright and cheerful. I’ve had yellow, green, blue. My current umbrella is pink with polka dots. This choice of gaudy umbrellas is completely deliberate.

There’s a picture of me as a small child standing at the bottom of the front steps of our house in Goulburn, peering out from under an umbrella. The expression on my face is one of happy fascination.

On a good day, that’s still how I feel about rain. Choosing a brightly coloured umbrella is my way of reminding myself that it’s possible to forget about the inconvenience of rain, to forget to worry about whether I’m getting wet. It reminds me that I’ve inherited my Dad’s fascination with weather, and brings out that part of me that wants to jump in the puddles rather than carefully step around them.

Because let’s face it: I’m probably going to end up with sodden feet anyway.

Thinking about the toes of my boots, which are still damp from last night’s rain adventure (no puddle-jumping, but I did give up on trying to avoid the puddles), I remembered that I once posted a little piece here about rain and umbrellas and ruined shoes.

‘Nevermind,’ she said quietly to herself as her suede shoes were rapidly ruined by the rain. At least they had character now.

She stood under her broken umbrella on the unfamiliar street corner and marvelled at the genius of the contraption she held above her head.

Somehow the rain never made her sad anymore. It reminded her of a place she missed dearly but was also glad to be away from. It reminded her of him, of that street, of that house and of the wet-cold winters. And it always brought a smile to her face, even if her shoes had become its victim.

Finding this piece immediately reminded me of all the other times I’ve been stuck in the rain — sometimes with an umbrella, sometimes without — and how each of those moments still sits in my mind, linked in no other way except by the phenomenon of water falling from the sky. It also reminded me of just how many pairs of shoes I’ve lost, standing out in the rain, and how it’s not that ruination that I remember first, but the freedom that comes from realising each time that I can’t do anything about it.

Putting the pen on the page

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I’ve got this little ball of frustration sitting in the muscles just at the top of my neck, and the tension is making its way down into my shoulders and back, and up and over my head into my brow. Something like eighty or ninety per cent of headaches are caused by tension in your neck and shoulders, apparently (which makes sense if you know a bit about anatomy, and which muscles are attached to which bits of bone), so it’s not entirely surprising that lately I often feel as though I’m just on the edge of a headache. Thankfully, I rarely get them, but the threat is there.

I know why I’m frustrated. It’s because I’m doing a lot of reading, and not a lot of writing.

Don’t get me wrong — I love what I’m reading. I mean, writers are lucky in that they’ve got a pretty damn good excuse to read a huge variety of stuff, and at the moment I’m taking full advantage of that excuse. And I think that I’ve needed this time to do this research.

Even so, over the last few days I’ve started to miss writing. That is, I’ve started to miss actually putting the pen on the page and making words come out. I’m impatient to get started on a new draft of this thing. But part of me knows that I’m not quite done with the research, and that anything I write now is just going to annoy me because it’ll feel ill-informed and incomplete. And then I wonder whether I really “know” I need to do more research — or at least allow the research I have done to sink in — or whether that’s just a clever disguise for procrastination. You know, a way of avoiding the fact that once I put my pen on the page I won’t be able to hide from my limitations as a writer. And I know there are plenty.

Sam Cooney recently wrote an excellent piece on the gap between ambition and ability over on the Southerly blog, and I think this small section probably accurately describes my feeling towards my own writing:

I’ve been repeatedly diving out into the gulf that exists between my ability and aspirations, and ending up smashed on the jagged rocks at the bottom. It makes it hard to sit at the desk/on the couch/in the café/at the park and try again.

I know I’m frightened of that gulf, and of being smashed at the bottom of it — I’ve known this for a long time. I feel like some of the stuff I’m working on is pretty ambitious, at least given what I perceive my talents to be, and I wonder whether all this time spent researching is also time spent putting off that dive into the gulf.

It’s probably a bit of both, to be honest.

But I wonder how best to decide when to stop researching and start writing. Or can I do both at the same time?

It probably doesn’t help that I have a bit of a guilt complex about reading. I really don’t know why that is. Part of it is that I really enjoy reading, and I feel guilty about doing something that I enjoy during work hours (even though this reading is also work). But — aside from the fact that it’s a stupid reason to feel guilty — that explanation feels like it falls so far short of what’s really going on. I mean, I’m reading government reports that are hundreds of pages long, for gawd’s sake — if that’s not work, what is?

So why do I feel guilty about all this reading? Is it because I feel like I’m procrastinating? Is it that I’m worried about getting bogged down in this fear of my own limitations because I’m reading stuff that’s really well written (with the exception of the government reports — they need some serious editorial attention)?

Sigh.

Maybe ‘why’ doesn’t really matter at this point. Maybe explaining it wouldn’t really help. Maybe trying to explain it just gives me an excuse to continue wallowing in the guilt and frustration. Perhaps it’s enough that I’ve just noticed that those things are there.

As for the neck and shoulder tension… Anyone want to give me a massage?

Monday Project: An agent of change

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Audrey was alone, but sleepy and warm. She moved her lips over her gums, getting used to their fleshiness, sans dentures. She remembered, suddenly, having watched her own grandmother do the same thing.

She pulled the blanket up under her chin, neatly folded the top sheet over it so it wouldn’t tickle her, and closed her eyes. The darkness behind her eyelids was heavy, and her bones seemed to sink deeper into the mattress. A deeper heaviness than sleep. But she wasn’t ready for this yet. She wasn’t ready for this change, and so she fought it like she had every night for the last three months.

With her eyes still closed she drew her attention around the room she was lying in — her room, she had to keep reminding herself — repeating a journey she’d made physically many times that day, and for many days before that.

On her day trips around the room, she would touch the trinkets she’d brought with her to this place when she’d moved out of her last home, trying to recall the story behind each of them. Some days she would remember; some days not. Some days seeing a particular object in this place would bring to her an image of it elsewhere — an old house, the hands of one of her children, the store in which she’d bought it. At times she was not sure how many of these trips she made in one day. She’d look back around the room, trying to match the small new memories — a fingerprint in some dust, the way the light fell on a picture of her husband — with what she saw now. But she could never be sure if those memories belonged to another day, or to half an hour ago.

When she made the trip in her mind’s eye, warding off sleep and that bone-heaviness, it was like all the day trips became one. She saw each object a thousand times. The memories — old, new, real, invented — crowded inside her head, keeping her awake for what was probably hours. She floated around the room, and through the many years of her life, until she eventually went towards sleep.

Tonight, however, the heaviness loomed. It sat at the edge of every memory, cast a shadow on every object, every photo in the room. For the first time, the room in Audrey’s mind felt small, and she found herself wanting to go elsewhere. Not to escape the heaviness, rather to find a way to let it in.

For a moment she thought of all the faces looking down at her from the frames on the walls, and how what she was about to do would change them. She hoped they were ready.

~

This is my response to this month’s Monday Project theme. There’s been a bit of delay this month, but we should have the other responses up later today, along with the new monthly theme.